Archive for the 21st century Category

Underground shifting

Posted in 21st century, Art, Artists, Industry, Steveston, Story, The Path, Trade with tags , , , , , , , , , , on July 30, 2010 by Erikakw

At a cafe today in our Village, I was catching up with online digital tasks since the last two weeks I have been driving off Lulu Island to Annacis Island to attend piabschool.

POW is a program for women who are interested in the trades. PIAB, UA 170‘s private school provides an opportunity for women to succeed in a career of their choice within the piping industry by offering excellent training in a supportive working environment where only 4% are women.

From the get go I knew I wanted to weld. I still have 4 weeks to go and everyday I ask myself: is this what I want to study and work at in the years to come?

At Bean and Beyond in Steveston, in between checking websites and waiting for data transfer I read ART revolution by Lisa L. Cyr where she writes about transcending boundaries:

“From 1908-1914 two pioneers; Pablo Picasso and Georges Braque worked collaboratively in search of an alternative form of expression, a different approach to seeing and interpreting the world. With their efforts, Cubism, an artistic vision that allows for multiple  viewpoints to be shown simultaneously, was born…..In addition the Cubist movement gave birth to a more tactile approach to picture-making….under Cubist theory, pictorial reality became multidimensional expressed in multimedia format.”

I used to chide myself severely for not ever settling on a particular medium. It seemed I could not quell the desire to join together numerous elements to make a picture. I understood Marcel Duchamp‘s, Nude Descending Staircase since I had experienced fragmentation, culminating in 10 moves by the time I was 13. So Duchamp’s depiction captured well-known feelings that I had contained for most of my childhood. That life was dubious and unstable accompanied by a haunting notion of unpredictability.  Searching for meaning in a world of chance occupied me which later helped develop full-blown existentialism that I chose as my world view for a period of time.

Underground shifting is about perceptions in motion where things are placed in a random order to create something new or unknown. It is subjective to the last degree which is largely what gives it appeal. I end up feeling that when change occurs in life it might look somewhat like this. Non-sensical and heavy laden with meaning with an inkling of nothing in particular at the same time, it is somewhat unsettling as change takes place and often mentally painful.

With 13 other women I sit in the shape of a circle to redefine or refine a path, a way that I have been going. There are individuals I have met at the school that have given me a strong sense of wanting justice in the labour movement for men and women and have acted according to their convictions to achieve lasting change. I am challenged and inspired to look further than my immediate path by listening to a person’s story.

At the end of the day it may not all make sense like Underground shifting yet what is important is to stay on the path even if you are on the loose shoulder slipping a little. Eventually you will notice an order occurring and you will hit a point when you see clearly an isometric design in the midst of frayed disorder.

Deconstructed boat

Posted in 21st century, Alberto Replanski, Art, Artists, Industry, Sculpture, Steveston, Story, The Fraser River, Trade with tags , , , , , , , , on December 30, 2009 by Erikakw

Imashing

Posted in 21st century, Alchemy, Apprentice, Art, Artists, Chronos, Dance, Kairos, Living, quotidian, Sculpture, Steveston, Story, The Path, Wild Flower with tags , , , , , , , , , , , , on December 8, 2009 by Erikakw

“Me…. I live for imagination in my dreaming. I’m looking to re-generate my imagination to use it for Good for people, for community, for telling stories, because I have to.  Mixing and matching and mashing, collaging my way to the end, that’s my thing. That’s re-generation how the rest happens is mystery–Rhea Phoenix for salonunidad

Triple D

Posted in 21st century, Chronos, Depression, Kairos, Living, OCD, quotidian, Steveston, Story with tags , , , , , , , , , , on December 2, 2009 by Erikakw

not DQ dessert not sweet nor fruity

not Purdy’s dark orange liqueur nor Japanese brandy early

neither here or either there

still empty soundless white grey space

for acedia’s depression becomes obsession

without a face we lose our place

on our knees in the deepest darkest dungeon

enter into the labyrinth of despair

circling wildly hopelessly in prayer

crying and speaking that we might be heard

‘Olas de vienta’

Posted in 21st century, Fisher folk, Japanese, Sculpture, Steveston, The Fraser River, The Wind, Trade with tags , , , , , , , , , on November 30, 2009 by Erikakw

Domenge’s carbon steel sphere is as unique as its negative spaces, which create dramatic view corridors to where the Fraser River meets the ocean.

“The place itself, it had to be something that reminds you of the waves of the sea, the waves of the wind and the waves of the intensity of life,” she says in an telephone interview from a Vancouver hotel.

—Matthew Hoekstra, Richmond Review, sculpture at Garry Point

now

Posted in 21st century, Art, Artists, Living, quotidian, Steveston, Story, The Desert, The Path with tags , , , , , , , on November 30, 2009 by Erikakw

there

is no easy

if it pleases
you

try to come
to terms with

life being unfair
most of the time

work with that
find a way

perhaps this day

Observations on the perils and rewards of ARTMAKING

Posted in 21st century, Apprentice, Art, Artists, La amistad, Steveston, The Wild with tags , , , , , , on November 22, 2009 by Erikakw

“Control, apparently, is not the answer. People who need certainty in their lives are less likely to make art that is risky, subversive, complicated, iffy, suggestive or spontaneous. What’s really needed is nothing more that a broad sense of what you are looking for, some strategy for how to find it, and an overriding willingness to embrace mistakes and surprises along the way.

Simply put, making art is chancy — it doesn’t mix well with predictability. Uncertainty is the essential, inevitable and all-pervasive companion to your desire to make art. And tolerance for uncertainty is the prerequisite to succeeding.”

From Art and Fear, David Bayles & Ted Orland

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